It began as a study of the Bauhaus type styles of the 1970s, descendants of Herbert Bayer’s experimental designs of the 1920s.
What I set out to achieve with Cadet was a design that retained much of the character and charm of the style but stayed rooted enough in traditional sans serif forms to avoid becoming overly decorative and abstract. Cadet is not based on or inspired by any single typeface but is instead an amalgamation of some of my favorite elements of the style.
Thank you men! Hey kid, you are the best!